What Goes Around Comes Arround
What Goes Around Comes Around, Stainless Steel, 2019. 24 x 15 x 12 inches (61 x 38 x 30 cm)
What Goes Around Comes Around is a contemporary stainless steel sculpture by Beatriz Gerenstein that explores the universal law of cause and effect. Through two interwoven forms that echo the balance of Yin and Yang, the sculpture reflects the continuous exchange of energy between our actions and the world around us. Its flowing lines and mirror-polished surface invite viewers to contemplate balance, responsibility, harmony, and the interconnected nature of human existence.



What Goes Around Comes Around explores one of humanity's oldest and most universal ideas: every action generates a response. Across cultures, philosophies, and spiritual traditions, the concept of cause and effect reminds us that our thoughts, words, and actions extend beyond ourselves, influencing both our lives and the world we share. Through this sculpture, Beatriz Gerenstein transforms that timeless principle into a refined abstract composition.
Crafted in mirror-polished stainless steel, the sculpture is composed of two elegant forms that flow around one another in a continuous movement. Their relationship recalls the ancient symbol of Yin and Yang, not as a direct representation, but as an expression of complementary forces that exist in constant dialogue. Neither form dominates the other; instead, they create a harmonious balance in which movement, tension, and equilibrium coexist.
The sculpture's circular opening becomes an essential part of its meaning. Rather than representing emptiness, it symbolizes continuity, infinity, and the invisible space where energy circulates. As viewers move around the work, the highly reflective surface captures changing light, surrounding architecture, and even their own image. In doing so, the sculpture reminds us that we are not passive observers but active participants in the continuous exchange of energy that shapes our lives.
Throughout her work, Gerenstein has explored themes of human connection, coexistence, and spiritual awareness. In What Goes Around Comes Around, these ideas are distilled into a minimalist language of form and reflection. The polished stainless steel dissolves the boundary between sculpture and environment, reinforcing the idea that every action becomes part of a larger universal cycle.
Ultimately, the sculpture is an invitation to reflect on personal responsibility, compassion, and conscious living. It suggests that every gesture of kindness, generosity, or understanding contributes to a greater harmony, while reminding us that the energy we bring into the world inevitably finds its way back to us.